The Glass Menagerie Characters - eNotes.com.
In the Glass Menagerie, Tennessee Williams uses an extensive pattern of symbolism in his character development of Laura. This symbolism develops Laura into a very fragile, shy, and emotionally crippled girl. The dominant symbols that describe Laura include the fire escape, the glass menagerie, the u.
In The Glass Menagerie, Tennessee Williams uses the theme of escape to help drive the play forward. None of the characters are capable of living in the real world. Laura, Amanda, Tom and Jim use various methods to escape the brutalities of life. Laura retreats into a world of glass animals.
Examples Of Feminism In The Glass Menagerie - The Glass Menagerie Feminist Perspective Feminist analysis is concerned with women’s power, with the representation of female characters and character dynamics. Laura’s character in The Glass Menagerie is a clear example of a woman without power.
Music During the 1930s. Emphasizes the characteristics of the characters. 1930s: The Great Depression Jazz was a popular style used during this time. Even though the 1930s were during the Great Depression, music was used to complain for the detoriating circumastances in the U.S.
A brother, a son, a friend, Tom Wingfield the narrator and a character in the play, The Glass Menagerie, which is based on Toms memory of his many experiences living with his mum and sister during the Great Depression. As this is a recollection, the play has a hard time presenting the events objectively as the mind, most often times distort the facts of events.
Laura is a character in Tennessee Williams “The Glass Menagerie”, which is set in past day St. Louis. The play is about the Wingfield family; Amanda, the mother, Tom, her son, Laura, the daughter, and Jim O’Connor, a gentleman caller.
The author of the play, The Glass Menagerie, is Tennessee Williams. The main characters of this play are Jim, Tom, Amanda, and Laura. Laura, who is the sister of Tom and daughter of Amanda, “has failed to establish contact with reality, and continues to live vitally in her illusion” (281).